Most famous of those is the kaleidoscopic score written for La Dolce Vita. He wrote fifteen scores for Fellini's films, from The White Sheikh in 1952 to Orchestra Rehearsal in 1979. It was Federico Fellini with whom Rota developed his most perfect relationship. The suite from Romeo and Juliet is a florid symphony drawing on Rotas classical background for its lush themes- swaggering hunting horn for the amorous swain, mournful lute for the awakening girl. One of the most famous was Zeffirelli's Romeo and Juliet of 1968. The famous three-four step snakes insinuatingly and hypnotically as a cobra, spitting as it lilts.īut there is much more to Rota than his archetypal mob music, confirmed by a new digital rerecording of his film work - the sound quality on the original film recordings is dubious, making this a perfectly legitimate and very effective exercise.Ī childhood prodigy, Nino Rota began as a conductor and composer of symphonies, ballets and operas, before writing scores for a large number of Italian and, later, Hollywood movies. A piece of music that sizzles with Sicilian sleaze no matter how many times you see the film. Throw in a pinch of Nino Rota's genius and you have a piece of the most intimidating music ever heard in the has to be the "Godfather Waltz". Add a plaintive trumpet, a trembling mandolin and a stifled bass.
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